Lalith’s Fe2+ scrap metal sculpture exhibition next week


Lalith Senanayake is no amateur to the field of visual arts in Sri Lanka. Scrap metal welded and bent, to breathe life, certainly an awe-inspiring work of art. Immense creativity and persistence in whatever Lalith produces is a result of many years of practice from oil on canvas to being a cartoonist and then as a layout artist in several national newspapers.

Wildlife in Sri Lanka like many parts of the world is facing the threat of increasing urbanisation. With every passing second the natural forest covers are degraded, and the human wildlife conflict is on the rise.

Amid piles and piles of garbage that decorate the environment in this process, it was scrap metal that caught Lalith’s attention. Change of perception, through bending the rules to create life-sized master pieces of wildlife out of worthless scrap metal!

The desire to work on scrap metal was subtle, just a few pieces of ants and a bird made him take on a path that he never imagined. The ants and the bird were only meant to decorate his painting exhibition at hand. They were mere pieces of décor during the two days for many who witnessed the exhibition.

Yet for one exceptional personality these figurines was what caught his attention and as he wished Lalith on his venture, his sincere request from Lalith was to “continue to create more of them”… this gesture was from none other than by one of Sri Lanka’s renowned architects, Anjalendran.

These subtle words were all what he needed, nothing less and nothing more. Over time it kindled in Lalith the desire to create and to explore a new, much more challenging, venture. 

His task at hand is to give meaning to a rusting pile of nails, nuts and bolts made of iron. In a matter of minutes a nail entwined in a coil of wire becomes an ant. After a chain of ants, this illusionist and wonderful creator decides next to give flight to a bird of prey.

From disorder and chaos to a beautiful piece of workmanship with meaning, which is no longer chaos.  Being sensitive to nature and wildlife through the years, has brought him ever so closer to nature, and is clearly depicted in the art work he has thus created.

Lalith’s venture thus far would not have been possible if not for many who have helped him and inspired him over the years. Specially helping Lalith to look at his own creations in a much different perception, adding different colours and working hard disorienting every lined metal scrap at times or to the already-designed sculpture only in the sincere hope of helping their father are the duo Yani and Pawan.

Lalith undoubtedly is thankful for the immense companionship rendered to him by these beloved children, and by his life’s companion Ruwanthi adding more meaning to his life.

Although oil on canvas medium was Lalith’s forte that ignited the spirit amid spacious colours and sculptures from the very earth, breathing life to scrap metal that lay lifeless amid a chaotic world of metallic garbage was challenging to him, marking a special turning point in his career as an artist.

Capturing every muscle and tendon in a wild beast from rusted carcasses of discarded equipment, and the toil of hard labour is unimaginable and clearly driven by passion. The overall process from the initial sketching of the draft and assembling piece by piece of tiny scraps and welding each part to produce a life-sized sculptures of horses, leopards to birds, etc., is unimaginably spectacular.

Each day spent amid these metallic waste to create masterpieces of visual art has never been a tiresome one for Lalith, as these wild and magnanimous creations are undoubtedly an expression of his love of nature and wildlife beyond boundaries!

Towards a unified attempt: Art for a purpose!

Unlike any of Lalith’s previous attempts this exhibition holds specialty towards a much-unified attempt more than any of his earlier exhibitions. All the sculptures that he has made here have been finalised and given their identity by Pawan. For Lalith knows that art deserves to be explored by a different insight so it can be creative, to take the flaws of imagination to the next level.

Nearly 25 scrap metal sculptures of wildlife welded by Lalith has been painted to give a unique splendour adding more meaning like nowhere you will ever get to see. Tagging along is Yani with four of her beautifully mastered scrap metal sculptures all created from scratch under the supervision and guided of his father with the sole intention of raising funds for an unpretentious purpose.

It was her idea to raise funds for a team of ‘footballers,’ Dootha Football Academy, which has a single coach, Pala Wijesekara, and 70 children in Badulla. After joining their team both Yani and Pawan saw that their friends had bare feet and no high tech gear, instead a common will to strive hard in what they did best!

“Thaththa I want to give all the money by selling my work for my friends at the Academy” – so be it, and the venture began.

Instead of complaining about the mess that Yani and Pawan made, all Lalith did was encourage them more so that he too could spend as much time with his children. Endurance beyond imagination is depicted in every single piece of metal, in these lively creatures of the wild.

Five per cent of the profit of selling the scrap metal sculptures will fund the Dootha Football Academy to bear the cost of the ground premises in Badulla and the basic needs of the children.

http://www.ft.lk/ft-lite/Lalith-s-Fe2--scrap-metal-sculpture-exhibition-next-week/6-671173









Animals leap out of scrap metal


Lalith Senanayake’s latest exhibition of sculpture opens on January 24 at the Gandhara on Stratford Avenue, Colombo 5.  Scrap metal welded and bent in his hands becomes an awe-inspiring work of art. His immense creativity and persistence in this new medium follows many years of practice as an artist working with oils on canvas, a cartoonist and then a lay-out artist in several national newspapers.

Just a few pieces – of ants and a bird made him take on a path that he never imagined of doing. The ants and the bird were only meant to decorate his painting exhibition. Yet they caught they eye of renowned architect, Anjalendran who urged Lalith to “continue to create more of them.”. Over time it kindled in Lalith the desire to create and to explore this new, more challenging field.

His task at hand is to give meaning to a rusting pile of nails, nuts and bolts made of iron. In a matter of minutes a nail entwined in a coil of wire becomes an ant. After a chain of ants, this illusionist and creator decides next to give flight to a bird of prey. From disorder and chaos to a beautiful piece of workmanship with meaning.

Helping Lalith to look at his creations with a different eye are his children Yani and Pawan. Lalith is thankful for the immense companionship they and his life’s companion Ruwanthi give him.

http://www.sundaytimes.lk/190120/plus/animals-leap-out-of-scrap-metal-330692.html






A play of light and dark on canvas of vermilion

 Agasthi, an exhibition by artist and cartoonist Lalith Senanayake will be held at the Harold Peiris Gallery, Lionel Wendt from June 12 to 15. Vermillion, the theme colour of the exhibition is derived from the rare stone Agasthi, says Senanayake.

“I have created abstract art from these colour variations, and light and dark elements, he says. “Renowned artists like Chandraguptha Thenuwara, Kingsley Gunatilake and Jagath Weerasinghe have conveyed a lot through colour and abstract art. This is just my attempt to do something similar,” he says.

The exhibition will showcase 30 paintings, sculptures created from everyday metal objects such as nails and discarded steel sheets, and wildlife paintings. Senanayake worked as a cartoonist in The Island and Divaina newspapers and won the award for best cartoonist at the Sri Lanka Press Institute Awards in 2004. He also illustrated the popular UN publication Safety at Sea last year.

A student of the legendary artist S. P. Charles, Senanayake has followed a four year higher diploma in traditional art and fine arts conducted by the National Museum in collaboration with the Ministry of Cultural Affairs.

At present he works for the Rivira newspaper and is researching into Sri Lanka’s academic artists and compiling a collection of his political cartoons to be published shortly.

By Himal Kotelawala

Lalith’s ‘Pussellawa on Canvas’ begins tomorrow


A doe-eyed damsel with flowers on her head, the ragged face of a tea-plucker, the symmetrical yet minimalist living conditions of the tea pluckers in the Pussellawa region, are some of the paintings done by Lalith Senanayake.

He will hold his next art exhibition titled ‘Pussellawa on Canvas’ commencing tomorrow and the paintings will be showcased for a month hence at the American Centre. The unveiling will take place on February 17 with James Monroe, Deputy American Ambassador as chief guest.

"Pussellawa is famed for its numerous tea plantations, verdant hills and cool climes, a laid back region situated between Kandy and Nuwara Eliya. During the colonial era, many workers were brought from South India to assist the tea industry.

Pussellawa too became home to the community of tea pluckers who have established their way of life amidst the rollicking, albeit scenic hills and valleys, waterfalls and grassy plains.

Visitors to Pussellawa focus on the serendipity that surrounds the hilly station, but Lalith Senanayake has breathed life into the energetic folk of Pussellawa, focusing on their daily rituals, the facial expressions and features of people, various sentimental objects associated with the tea pluckers, their living quarters and much more.

Through his paintings, these often ignored facts will be preserved for posterity.

"Initially, Pussellawa provided the much needed hiatus from the stress of Colombo and I wanted to paint the breathtaking scenery but delving deeper into the region, brought me closer to the tea plucking community, which was appealing. Interwoven with beliefs and superstitions, these communities are indispensable to the existence of the tea industry. For a period of six months, I traveled to and fro, spending hours on painting individuals and the lifestyles of the people of Pussellawa. I used acryclic and oil medium in my paintings which has been portrayed in not-too bright colours," reveals Lalith about his theme.

"Subsequent to my exhibition held last year, I enrolled in a course conducted by the renowned sculpture artist/painter Dr. Sarathchandra Jeewa at the Colombo Art Academy. It continues to mould and further hone my talents and incorporate the invaluable lessons in my present paintings," said Lalith, adding that Dr. Sarathchandra Jeewa was a larger than life presence and his knowledge has been invaluable to his work.

"In addition, I am grateful to many others others such as S. P. Charles , Prabath Sahabandu and the staff of the American Centre for their support," added Lalith.

For further information with regard to "Pussellawa on Canvas," please contact;
The American Center
44, Galle Road,
Colombo 3,
Sri Lanka.
Tel:+94(11)249-8100
Fax: +94(11)244-9070
E-mail: amcentersl@state.gov

by Rochelle Palipane Gunaratne






Pussellawa on Canvas: Portrayal of pastoral village life




"With his keen eyes for details and artistic brush strokes, Lalith Senanayake brilliantly portrays the multi-faceted life in idyllic hill country village of Pussellawa. It is not only his remarkable style which immortalises the cultural landscape of Pussellawa with its lush-green tea plantations surrounded by misty hills, but also his sharp insight into the vivid life there."

Veteran artist Lalith Senanayake's exhibition of paintings titled "Pussellawa on Canvas" is now on at the American Centre, Colombo. Perhaps the most striking painting is the one titled "The Youth faded inside a tea leaf".

It is a picture of a maid carrying a basket of tea leaves. The lush tea plantations in Pussellawa provide livelihoods for a community whose entire lives are spent in and around the tea plantations. This young woman would have been born in a line-room and eventually would take up work at a tea plantation where her forefathers would have worked and lived their entire lives as labourers. Their lives would have been dried up under scorching sun and faded their youth faded away under the shade of tea leaves. It is the plight of the plantation workers for generations. This unknown young lady represents her generation. Lalith has artistically captured and portrayed vividly the grim story of a generation through a maid. He has used colours sparingly and aptly captured the facial expression of the maid. Tea plantations in Pussellawa not only occupy a prominent place in the economy, but also constitute a larger portion of its cultural landscape.

"Speaking Eyes" is a portrait of a girl intensely looking at some unknown object. Her silhouette is reflected upon a glass of a doorframe while part of her face is lit up by a beam of light filtered on to her face.

The attention of the artist is on her extraordinary perceptive eyes which tell a story in silence as if they speak. Apart from the part of the face which is lit up by a beam of light, the rest of the painting seems dark and by manipulation of light and shade, Lalith has focused the attention of the viewers on the perceptive eyes of the girl which is the theme of the painting. From the flowers tucked onto her hair and the "Pottu" (black dot) on her forehead and ear-rings suggest the girl's ethnicity.
by Indeewara Thilakarathne
















A Play Of Light And Dark On Canvas Of Vermilion




Agasthi, an exhibition by artist and cartoonist Lalith Senanayake will be held at the Harold Peiris Gallery, Lionel Wendt from June 12 to 15. Vermillion, the theme colour of the exhibition is derived from the rare stone Agasthi, says Senanayake.

“I have created abstract art from these colour variations, and light and dark elements, he says. “Renowned artists like Chandraguptha Thenuwara, Kingsley Gunatilake and Jagath Weerasinghe have conveyed a lot through colour and abstract art. This is just my attempt to do something similar,” he says.

The exhibition will showcase 30 paintings, sculptures created from everyday metal objects such as nails and discarded steel sheets, and wildlife paintings. Senanayake worked as a cartoonist in The Island and Divaina newspapers and won the award for best cartoonist at the Sri Lanka Press Institute Awards in 2004. He also illustrated the popular UN publication Safety at Sea last year.

A student of the legendary artist S. P. Charles, Senanayake has followed a four year higher diploma in traditional art and fine arts conducted by the National Museum in collaboration with the Ministry of Cultural Affairs.

At present he works for the Rivira newspaper and is researching into Sri Lanka’s academic artists and compiling a collection of his political cartoons to be published shortly.
By Himal Kotelawala